Left Field - The Movie

Mixing Pop and Politics - Left Field The Movie
Take a stroll around the Glastonbury Festival site and you’ll see many interesting things from great bands through to the weird and wonderful but one thing you won’t see much of is the kind of corporate branding that’s plastered all over the V’s, Reading and any number of wannabe festival contenders.
On the other hand, one thing that you’d find very hard to miss at Glastonbury is the 60 foot revolving Left Field tower with it’s laser-lit star and it’s images from the global struggle for economic social justice. And below that tower – bang-smack on the busiest crossroads on the site – sits the Left Field itself where we cook up our blend of music, campaigning, organising, comedy and film into a unique blend which pulls the punters in by the thousands.
It’s a real testament to the principles of Michael and Emily Eavis that while the big corporates struggle to grab a piece of the action at Glastonbury, the trade union movement has steamed in, shoved them aside and rammed the banner of international solidarity firmly into the Somerset mud.
We started small at the Left Field back in 2002 with little more than a drum riser in the corner of a beer tent but in that seven years we have grown to be one of the biggest covered venues on site with a stellar international line up to match.
None of this would have happened without the leverage of the Battersea and Wandsworth TUC and its trading arm the Workers Beer Company. It was that connection that got us the Glastonbury gig and it’s a testament to the hard graft of the thousands of Workers Beer volunteers who pull the pints at events up and down the country that their efforts have helped make the Left Field happen.
This year we kicked off with a reggae/ska spectacular for our good friends at Anti Slavery International, all topped off by the Levellers who paid there own way to get on site because they wanted to back the Left Field and our campaigns. That’s real commitment.
Come the Friday and the Alabama 3 were in town for Miscarriages of Justice Organisation and anyone who saw Paddy Hill from the Birmingham 6 rapping to Woke Up This Morning would have felt the goose bumps and the raw emotion just like me and the rest of the crew. Lose that feeling, and you’ve lost the lot.
GMB and UNISON brought in some of the biggest contemporary acts from Poland to pump up the profile of their migrant worker campaigning and organising and Mark Serwotka from PCS got to introduce fellow south Wales lads The Automatic while the crew chanted “What’s that coming over the hill? Is it Serwotka? Is it Serwotka” Magic.
The FBU looked after stewarding and the RMT kept everyone supplied with clean T Shirts which was a rare treat for those of us who’d been on site for over a week.
We pulled off a massive media coup with Carl Barat from the Dirty Pretty Things, and formerly the Libertines, doing his first ever solo set anywhere. He was joined for a couple of numbers by our International Cultural Attache Billy Bragg in a night dedicated to prisoner rehabilitation.
And we do all this under the banner of the international trade union movement and what’s taken me aback is just how many artists out there not only support the trade unions and our key campaigns but they want to be SEEN to be supporting us. We’ve just not been very good at asking them.
So at the TUC we will premiere the Left Field 2008 movie – made by London Firefighter and my co-conspirator at Militant Entertainment Alan Miles – with Don Letts on the decks and some very special guests lined up.
We want to move the Left Field idea on as a vehicle for the trade union movement – tour it around the country and we are even looking at taking it to Austin next year for the South By South West festival deep in the heart of redneck Texas.






